Washington DC, DistrictofColumbia
After breakfast, reading the Sunday newspaper, and cleaning up, I decided to head to the Hirshhorn Museum. It is one of the Smithsonian museums so it has free entry. What a wonderful museum! It is nowhere near as crowded as the Air and Space museum (which is directly east) or the Natural History museum. It houses works by such well known artists as Andy Warhol, Frank Lloyd Wright, Joan Miro, Henri Matisse, Auguste Rodin, and of course my favorite, Pablo Picasso.
I came up from the Smithsonian Metro stop and walked the 300 or 400 meters to the museum. After getting my bag checked, I decided to go up to the top floor and work my way back down. Each floor is circular with exhibits along the outer and inner portions. That makes it very easy for one to see each item exhibited on each floor.
The first item that caught my eye was Wall Drawing #356 by Sol Lewitt. It is one of those optical illusions that seems to keep switching perspective the longer one stares. On the other side of the same room was Wall Drawing #1113, also by Lewitt. The colors were striking.
In the adjoining room was Flowers by Andy Warhol. He is not one of my favorites; but, how often does one see a Warhol original?
I was surprised to see two windows done by Frank Lloyd Wright. I really appreciate his architectural style, so seeing those was quite a treat. The title of the windows was Composition in Light: Window from the Coonley Playhouse. His design vision was striking.
Of course I had to include a photograph of Woman (Personage) by Joan Miro since he was a Spanish artist. It was not my favorite work, but he was from Spain.
At this point I entered one of the most interesting areas of the museum. The area dealt with light. To a certain extent it reminded me of the exhibits we saw recently in Colorado Springs at the Fine Arts center. The first exhibit by Joseph Kosuth, Four Colors Four Words set the tone. There was a lot of neon. That was followed by a display of black lights done by David Flavin. I found it interesting to just stand there and watch the other patrons marvel at the blue hue.
The exhibit by Jesus Rafael Soto, Blue Penetrable BBL was the most interactive display in the entire museum. It consisted of multiple strands of some sort of blue plastic string. It was perfectly OK to walk through the exhibit and experience the work from the inside out.
Soto was also responsible for Three and One. This was a mobile of different colored wires floating in front of a background that had multiple parallel black lines. The effect on the eye was very interesting.
Several rooms later I stumbled across two works by Pablo Picasso, Woman with Baby Carriage and Head of a Woman. While in Spain I became more and more enthralled with Picasso. I was surprised to see two of his bronze works on display.
When I made it to the lower level, there were a couple of things that really caught my eye. The first was the installation Belief & Doubt by Barbara Kruger. She had several words and phrases posted all over the walls, floors and escalators in the lower level. One of my favorite shots by far was the lady in a black burka standing in front of the word Belief.
The other item in the lower level that really caught my eye was Ron Mueck’s Untitled (Big Man). That was because of the realism of the piece. Other than the size of the work, it looks like a real man.
After a quick stop at the gift shop I went outside to enjoy the fountain. There were 12 works by Ai Weiwei placed around the fountain, Circle of Animals/Zodiac Heads.
The building is a four-story, hollow cylinder. It is supported by four large column structures. Between the columns it is an open, walk-through space. One of those areas has been glassed in. That is where the main entry and gift shop is located. In two of the areas there are tables and chairs. They provide a relaxing, shady rest stop.
The center of the cylinder features a large water fountain to which I alluded above. That adds to the relaxing ambiance. Periodically, maybe every 30 minutes or so, the fountain stops.